Philadelphia-based cultural reporter and critic Julia Klein recently spent several hours touring The John Updike Childhood Home and wrote a review for The Wall Street Journal that was published on Sept. 4, 2023.
“For such a clear-eyed chronicler of America’s angst-ridden middle class, John Updike was surprisingly sentimental about his Pennsylvania roots. Here, one of his narrators declared, ‘the basic treasure of his life was buried,'” Klein wrote.
“In the short story ‘The Brown Chest,’ Updike’s narrator recalls ‘the house that he inhabited as if he would never live in any other’ and the ‘strange, and ancient, and almost frightening’ wooden chest that served as a repository of family memories.
“Both its hold on the author and the allure of its intimate artifacts, from that chest to Updike’s earliest drawings, make the John Updike Childhood Home a worthy site of literary pilgrimage.
“The house museum, opened in October 2021, recently added seven vitrines, with artifacts including the Remington rifle of Updike’s short story ‘Pigeon Feathers’ and the Olivetti manual typewriter he used for four decades. After a summer hiatus, it reopens Saturdays from 12-2 p.m. starting Sept. 9.”
Klein observed that the museum’s emphasis is on how Shillington “formed him as a writer,” but that the museum “deals less fully with other aspects of his life, failing even to mention his second wife, Martha Bernhard.” She noted too that some of the object labels were a bit small to read, but that was a “defect corrected in the newer vitrines.”
Klein said the museum’s thematic approach “pays off particularly well in his mother’s writing room,” where images and artifacts suggest the complicated mother-son relationship with each other and their shared goal of becoming a writer. “The relationship seems to have been at once close and embattled, with the son vaulting to the literary success his mother craved.”
Read “The John Updike Childhood Home Review: Rabbit’s Roots” (subscription required).